• Advertise
  • Request Review
  • Write for Us
  • Privacy
  • Login

Theatre Bubble

The UK Theatre Network

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Reviews
  • News
  • Features
  • Spotlight
  • Opinions
  • Interviews
  • Guides

Ed Fringe 2016: Electric Eden at Pleasance Pop-up

August 9, 2016 by Maggie Kelly Leave a Comment

Review of: Electric Eden
Produced by:
Not Too Tame
Price:
£8-£12

Reviewed by: Maggie Kelly
Rating:
4
On August 9, 2016
Last modified:August 9, 2016

Summary:

A vibrant, site-specific exploration of activist cultuer

More Details

Entering the Electric Circus nightclub and being greeted by a rather enthusiastic actor splashing UV paint on my cheeks, it is instantly very clear that this will be a rather unique Fringe experience. Sat around the edge of a club, nursing my cheeky 3pm G&T, I am simultaneously excited and worried about the approaching show – excited because every sign points towards the company actually knowing what they are doing, worried because so many of my immersive theatre experiences have started thus promisingly and consequently descended into chaos and confusion. Electric Circus does not, thankfully, take this route, and produces an extremely tight and thoughtful exploration of activist culture through a conglomeration of eight clashing personalities.

The dance sequences that were interspersed throughout the piece helped hold the individual monologues together, as well as marrying the naturalistic setting and acting styles with slightly more stylized and poetic writing. I was extremely surprised when it was revealed that the script was written by ‘The Company’ – it is exquisite, introducing just enough internal rhymes to give each monologue a lyrical feel, but not enough to cause problems with the immersive nature of the piece; it still felt ‘real’. Mixing this sort of intense naturalism with this relaxed stylisation is incredibly difficult to balance, and Electric Eden got it absolutely spot on.

Electric Eden_Not Too Tame_image1

However, the stand-out aspect of this show was undoubtedly the fantastic performances put forward by each and every member of the cast. This sort of very naturalistic, immersive theatre requires a much more subtle kind of acting than when removed from the audience on a stage, which seemed almost second nature to the cast of Electric Eden. The one problem that arose was that of balance – some characters, like that of the agent hired by the corporation who was responsible for Eden’s death, were very obviously the ‘bad guy’, and while being given a really interesting monologue contrasting with the more socialist beliefs of the rest of the troupe, Hanna Jarman chose to play her in a very unsympathetic way. It would have perhaps been more interesting if the audience could have understood and had some empathy with her character, making the decision that Louise Haggerty’s character has to take less black-and-white.

My other issue with this piece is the way the plot was set up about being the death of an old busker due to a company’s rather aggressive security guards – but didn’t actually have anything to do with this at all. Sure, this provided a springboard from which to explore the characters ‘protesting’ his death, but it would have been nice to weave the story of Eden into their specific sections in a more relevant way. There was no sense of any kind of personality behind that name other than as a plot point – slightly disappointing when considering how strong the rest of the piece was. This meant that while the audience was intrigued with the personalities put forward by the cast, they had no emotional connection to the actual protest itself, which meant that the show was less hard-hitting than it could have been.

CAST:

Andrew Butler
Jimmy Fairhurst
Alex Griffin-Griffiths
Louise Haggerty
Jessica Hayles
Hanna Jarman
Emily Stott
Anthony Wright-Wilson

CREATIVE TEAM:

Created, Written and Devised by: The Company
Director: Jimmy Fairhurst
Additional Material by: Jimmy Fairhurst, David Mumeni

Author: Maggie Kelly

Filed Under: Review Tagged With: Edinburgh Fringe 2016

Join the discussion Cancel reply

INTERVIEW / Fraser Grace talks about Bliss at the Finborough Theatre

Written by Fraser Grace (Breakfast with Mugabe, RSC), Bliss is based on a short story by censored writer Andrey Platonov. It’s at Finborough [Read More]

NEWS / Japanese Romeo and Juliet to the songs of Queen announced

Coming to Sadler’s Wells in September as part of its world tour, A Night At The Kabuki is a retelling [Read More]

INTERVIEW / Paul O’Donnell talks about Shoot Festival

Shoot Festival returns this year with a mix of commissioned pieces and showcases of the best of Coventry’s arts scene. [Read More]

Review / The Man who Knew Too Much at Omnibus Theatre

A packed Omnibus Theatre lapped up the entertaining antics of The Man Who Knew Too Much. Co-Director and Co-writer Olivia [Read More]

Spotlight / Inua Ellams at 05Fest Lewisham

Inua Ellams, the Albany and WE ARE LEWISHAM  presents………. 05Fest, 10 – 19 March Poetry takes front and centre stage [Read More]

Top Posts & Pages

  • 10 Tips to Help You Prepare for Your Reality TV Auditions
  • Fraser Grace talks about Bliss at the Finborough Theatre
  • Writing the Perfect Press Release
  • Japanese Romeo and Juliet to the songs of Queen announced
  • Kim Scopes tells us about Somewhere To Belong
  • Katy Owen: How to Apply to Drama Schools*
  • Inside Pussy Riot at the Saatchi Gallery
  • Into the Woods, Northern Ireland Opera
  • 5 Stage Elements to Consider for a Rousing Theatrical Production
  • Romeo and Juliet- Rose Theatre, Kingston Sublime Shakespeare.
  • Maggie Kelly
    Author

  • August 9th, 2016
  • comment iconNo Comments
  • FacebookTweetLinkedInEmail

    Newsletter

    Enjoyed what you've read? Get even more great content directly to your inbox - Completely Free

    About Theatre Bubble

    Theatre Bubble is the news, review and blogging site created by Blue Pie Media and run by a dedicated team of outstanding editors and writers: we're always looking for new contributors - to find out more click here.

    Contact Us

    News: news@theatrebubble.com
    Reviews: reviews@theatrebubble.com
    Website: webmaster@theatrebubble.com

    Privacy Policy

    Copyright © 2022 · Blue Pie Media

     

    Loading Comments...
     

      Share this ArticleLike this article? Email it to a friend!

      Email sent!