• Advertise
  • Request Review
  • Write for Us
  • Privacy
  • Login

Theatre Bubble

The UK Theatre Network

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Reviews
  • News
  • Features
  • Spotlight
  • Opinions
  • Interviews
  • Guides
  • Tickets

Poll Function at the Pleasance

February 24, 2016 by Alex Wood

Review of: Review: Poll Function at the Pleasance
Produced by:
Greg Shewring and The Project
Price:
£12 - £10

Reviewed by: Alex Wood
Rating:
3
On February 24, 2016
Last modified:February 24, 2016

Summary:

Poll Function is a twenty-first century Anthem for Doomed Youth that has to be heard, but the show never felt like it hit all the right notes.

More Details

Poll Function at the Pleasance was, tonally, a very satisfying performance. Pitched somewhere between Larkin’s This Be The Verse and a particularly harrowing episode of some sort of angsty drama – its consistent nonconformism and representation of a youthful and profanity-laden apathy gave it a familiar, well-worn, and pertinent message. In spite of the hectic nature of the two leads played by Greg Shewring (also writer) and Jon Pascoe, the hour long show contains scenes of complete and unfiltered didacticism as it reflects on a millennial generation lost and unsatisfied with the world in which they find themselves. A voice for those who have seemingly lost the need to speak.

On a theoretical level Poll Function is onto something intriguing. The common saying is that comedy equals tragedy plus time, but here it is the other way around – the two leads, on an unspecified road trip to somewhere in the West Country, are haunted by their teenage days – full of youthful vigor and hope for the future. As they speed through the empty roads, they reminisce on old times, heartaches, betrayals, opportunities and musical fun. The constant and hectic jumps forward and back in time do well to highlight the contrast. These are men lost, resorting to literal nostalgia trips to attempt to find some form of satisfaction with their lives. They never really grew up because, as it turned out, there was nothing for them to grow into.

Poll Function Ferment Low Res (w)-4994In spite of these theoretically and symbolic successes, Poll Function is found wanting on a structural level however. The show opens with an intensely hectic and flippant manner, characters pissing out of windows, smoking weed and having car-based grooves to Bhangra music. It felt like what Dick’n’Dom would have done in da bungalow had they been given a post-watershed billing. This tongue in cheek attitude was so overwhelmingly intoxicating that it undermined any attempts at emotional resonance; the two characters became clowns, and any attempt at sympathy came a bit too late. As Pascoe falls, sobbing, into a final monologue about how much he hated his mother for not loving him enough, it felt as though the emotional punches of the show came just too late.

Other elements were equally irksome – the show was trope-heavy (the weed smoking had to be accompanied by reggae music, just as the bhangra had to be that song you already recognise). Women, unfortunately, never get any meaningful presence in what was a masculine anxiety fest, the female sex used only for objectification or as sources of antagonism for the male leads. This was a twenty-first century Anthem for Doomed Youth, but the show never felt like it hit all the right notes.

Poll Function will be at the Pleasance until the 28th.

Crew List:

Director: Theo St. Claire,

Lighting: Layla Lagab

Associate Director: Jesse Jones

Written by: Greg Shewring

Produced by: Christabel Holmes

Author: Alex WoodAlex is the former reviews editor at Theatre Bubble, but since changing position now contributes occasionally. He has been writing reviews for a number of years, as well as seeing his own shows performed. He has produced and marketed a number of performances at venues in London, Oxford, Edinburgh, including the world premiere of Philip Pullman's The Ruby in the Smoke.

Filed Under: Review Tagged With: 3 stars, islington, pleasance, project

INTERVIEW / Silent Faces on Godot is a Woman’s first UK Tour

Silent Faces return to the stage with their signature style of playful and political physical theatre, interrogating permission, patriarchy, and [Read More]

INTERVIEW / Max Rinehart on The Retreat

We spoke to actor Max Rinehart about his experience working on the European premiere of Jason Sherman’s The Retreat at [Read More]

NEWS / Frozen Light celebrate 10 years with Sensory Symposium

The UK’s premiere company for adults with profound and multiple learning disabilities invites industry professionals of all genres and sensory [Read More]

INTERVIEW / Jenny Foulds on Life Learnings of a Nonsensical Human

Performer Jenny Foulds tells us about her forthcoming one woman show Life Learnings of a Nonsensical Human, coming to the [Read More]

INTERVIEW / Monique Touko on We Need New Names

We Need New Names is a defiant and exuberant coming-of-age story follows a young girl from the playgrounds of Zimbabwe [Read More]

Top Posts & Pages

  • Katy Owen: Auditioning for Oxford School of Drama
  • Helena Middleton on Ad Infinitum's If You Fall
  • Michelle Visage to join the cast of Everybody's Talking About Jamie
  • 5 Stage Elements to Consider for a Rousing Theatrical Production
  • Samuel Beckett Festival Rocks the Print Room
  • Max Rinehart on The Retreat
  • Jess Mabel Jones on Potential Difference Theatre Fragments
  • Jenny Foulds on Life Learnings of a Nonsensical Human
  • Yasmin Paige on Actually
  • Silent Faces on Godot is a Woman's first UK Tour
  • Alex Wood
    Contributor

  • February 24th, 2016
  • comment iconNo Comments
  • FacebookTweetLinkedInEmail

    Newsletter

    Enjoyed what you've read? Get even more great content directly to your inbox - Completely Free

    About Theatre Bubble

    Theatre Bubble is the news, review and blogging site created by Blue Pie Media and run by a dedicated team of outstanding editors and writers: we're always looking for new contributors - to find out more click here.

    Contact Us

    News: news@theatrebubble.com
    Reviews: reviews@theatrebubble.com
    Website: webmaster@theatrebubble.com

    Privacy Policy

    Copyright © 2023 · Blue Pie Media

     

    Loading Comments...
     

      Share this ArticleLike this article? Email it to a friend!

      Email sent!