Huge thanks to all the writers who submitted scripts for the July Page to Stage. It was very hard to narrow it down to a final selection of 4 pieces. Now we need 4 top-notch directors and a strong cast!
Page to Stage comprises directed, rehearsed readings of 4 new theatre scripts with feedback from an industry panel. As this is a networking evening, run on a voluntary basis, all roles are unpaid. The event takes place at The Horse & Stables, London SE1 7 RW.
See below for details of the 4 pieces. Applications welcome from all backgrounds.
DIRECTORS
Requirements / time commitment:
– Working in a small space and a limited timeframe, the directors need to be adaptable and imaginative. Showcasing the new writing remains the paramount objective.
– Scripts are sent out in advance. Preliminary planning is encouraged (e.g. contacting cast about clothing, perhaps the odd prop etc.).
– Cast and director meet on the night, with 1½ hours to rehearse.
Submission:
– Please send a short note outlining relevant theatre experience, along with your biog and CV, weblinks etc. (Your biog will be included in the programme if you are chosen as one of our 4 directors.)
– You are welcome to mention a specific play from the list, but we usually match directors to cast and play by looking at levels of experience, the demands of staging requirements etc. etc.
ACTORS
Requirements / time commitment:
– The event is to showcase new writing: very clear delivery/projection, good characterisation and excellent sight-reading skills are essential.
– Scripts are sent out in advance. Actors should be very familiar with the lines (but not off-book).
– Cast and director meet on the night, with 1½ hours to rehearse.
Submission:
– Please submit your Spotlight link, showreel link and a biog of no more than 75 words, plus any other information relevant to a rehearsed reading. (Your biog will be included in the programme if you are cast.)
– Feel free to state which role(s) you are interested in. Final casting, however, may differ from this.
– Actors confident playing up/down in age are welcome to apply.
Contact details: Please email your submission to Miranda Harrison, Page to Stage Organiser, at [email protected].
Deadline: Monday 6 July.
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THE FOUR PLAYS/EXCERPTS
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Father by Natalie Audley
Rose has not been to her mother’s home in Leeds for over two years. Mother and daughter are not close. Rose was raised by her Aunt Jan, in a nearby estate.
Gina Harrison (F) – 50s; a dying ex-prostitute (ideally Leeds accent, but not essential. Certainly not RP)
Rose Harrison (F) – 20s; her daughter (has lost her accent, lives in Canterbury, is a trainee accountant)
MW by William Patterson
A man and woman find themselves in limbo. Will they be able to come to an understanding as to the nature of their relationship?
M (M) – in his 60s
W (F) – in her 60s
The Empty Chair by Jack Silver
Shortly after the death of his best friend, a man imagines the last meeting they had. Actors should have some knowledge of Meisner
Wala (M) – dressed stylishly
Isa (M) – dressed like a drone; brown hair, brown eyes
Demonstration by Matilda Lovelace
Nez discovers that a fascist group has pinpointed the flat above her shop as the HQ of the Muslim Brotherhood. What follows is an amusing example of what truly makes the fabric of London
Nez (F) – late 20s. An air of vitality and street sense. London accent. Mediterranean / Middle Eastern appearance
Mary (F) – 50’s. Irish. Brusque and earnest
Frank (M) – 34, London accent. Takes pride in his appearance. Mediterranean / Middle Eastern appearance
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