• Advertise
  • Request Review
  • Write for Us
  • Privacy
  • Login

Theatre Bubble

The UK Theatre Network

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Reviews
  • News
  • Features
  • Spotlight
  • Opinions
  • Interviews
  • Guides
  • Tickets

Man of Steal- Trafalgar Studios

May 30, 2015 by Verity Healey Leave a Comment

Review of: Man of Steal
Price:
£15- £55

Reviewed by: Verity Healey
Rating:
4
On May 30, 2015
Last modified:May 30, 2015

Summary:

Entertaining, witty but deadly serious

More Details

James Freedman looks like a man more likely to break into song than he is to pick your pocket. But this is one of the points of his one man part-magic part-lecture show: to illustrate, with relish, all the similarities between the drama of stealing in all its artful forms, and theatrical showmanship, plus our very quintessential romantic obsession with pickpocketing.

Screen Shot 2015-05-30 at 20.32.26

Whilst procuring by charm some audience interaction and along the way, darting around the volunteers as if the Artful Dodger himself (he did create the pickpocketing sequences for Polanski’s 2005 Oliver Twist) we also get the lowdown on the history and techniques of thievery, including the first card fraud in the 1980s. As well as exposing a whole lot else, James Freedman unmasks our curiosity over ‘bumping’ ‘sleight of hands’ ‘rattraps’ and the like, as insatiable, perhaps because of thievery’s literary associations with child labour, and pickpockets as the invention of the workhouse and icons of the industrial revolution (Robin Hood doesn’t count, nor do Highwaymen, because as Freedman informs us, there is a difference between muggers, who are thugs, and those who are artful, who are magicians). The overall effect is of a rabbit that is so mesmerised by the brightness of the car lights that it gets run over. The audience is the rabbit.

And continually, Freedman shows us what rabbits we are, as he uncovers, before our very eyes, the various ways in which your bank card details and other things, may be stolen: ways which will take your breath away. The theatricalities of these are performed against a structure of personal narratives which Freedman delivers in the same showmanship style, without a trace of self pity. Instead, he presents  himself as a man  with a scientific curiosity about the world- in fact, despite the very mechanised design and binary opposites projected onto Mark Cunningham’s screen on Declan Randall’s stage, we can hear, smell and see the throbbing, thieving and very modern streets of London.

Although its style is different, in terms of wit and artistry, Man of Steal can be compared with Peter Brook and Marie-Hélène Estienne’s The Valley of Astonishment, which deals with people who have synesthesia. James Freedman’s abilities and incredible memory functions are not that different from those portrayed by Sammy, the character Kathryn Hunter plays. The difference is that there was a character struggling to navigate the world, here we have one who has already achieved that.

The purpose of Man of Steal seems to be to part teach, part inform and part expose our fetishism with pickpocketing, whilst entertain. Two observations: are all pickpockets men, as it feels it is an industry that is extremely patriarchic, although this cannot be so (and would we react in the same way to a female thief?) and second, should the Met be worried? Because we’re all pickpockets now.

Entertaining, witty but deadly serious.

Venue: Trafalgar Square Studios  box office: ATG website until: 4th July

cast: James Freedman

creatives

director- Edward Hilsum

set & lighting design- Declan Randall

projection & sound consultant- Mark Cunningham

music- Elliot Davis & Peter Weitz

Author: Verity HealeyI write about theatre, I write short stories/ poetry www.verityhealey.blogspot.com, I also sometimes make films.

Filed Under: Review Tagged With: James Freedman, Man of Steal, Trafalgar Studios

Join the discussion Cancel reply

INTERVIEW / Silent Faces on Godot is a Woman’s first UK Tour

Silent Faces return to the stage with their signature style of playful and political physical theatre, interrogating permission, patriarchy, and [Read More]

INTERVIEW / Max Rinehart on The Retreat

We spoke to actor Max Rinehart about his experience working on the European premiere of Jason Sherman’s The Retreat at [Read More]

NEWS / Frozen Light celebrate 10 years with Sensory Symposium

The UK’s premiere company for adults with profound and multiple learning disabilities invites industry professionals of all genres and sensory [Read More]

INTERVIEW / Jenny Foulds on Life Learnings of a Nonsensical Human

Performer Jenny Foulds tells us about her forthcoming one woman show Life Learnings of a Nonsensical Human, coming to the [Read More]

INTERVIEW / Monique Touko on We Need New Names

We Need New Names is a defiant and exuberant coming-of-age story follows a young girl from the playgrounds of Zimbabwe [Read More]

Top Posts & Pages

  • 5 Stage Elements to Consider for a Rousing Theatrical Production
  • Katy Owen: Auditioning for Oxford School of Drama
  • Helena Middleton on Ad Infinitum's If You Fall
  • Michelle Visage to join the cast of Everybody's Talking About Jamie
  • Samuel Beckett Festival Rocks the Print Room
  • Max Rinehart on The Retreat
  • Jess Mabel Jones on Potential Difference Theatre Fragments
  • Jenny Foulds on Life Learnings of a Nonsensical Human
  • Yasmin Paige on Actually
  • Silent Faces on Godot is a Woman's first UK Tour
  • Verity Healey
    Author

  • May 30th, 2015
  • comment iconNo Comments
  • FacebookTweetLinkedInEmail

    Newsletter

    Enjoyed what you've read? Get even more great content directly to your inbox - Completely Free

    About Theatre Bubble

    Theatre Bubble is the news, review and blogging site created by Blue Pie Media and run by a dedicated team of outstanding editors and writers: we're always looking for new contributors - to find out more click here.

    Contact Us

    News: news@theatrebubble.com
    Reviews: reviews@theatrebubble.com
    Website: webmaster@theatrebubble.com

    Privacy Policy

    Copyright © 2023 · Blue Pie Media

     

    Loading Comments...
     

      Share this ArticleLike this article? Email it to a friend!

      Email sent!