• Advertise
  • Request Review
  • Write for Us
  • Privacy
  • Login

Theatre Bubble

The UK Theatre Network

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Reviews
  • News
  • Features
  • Spotlight
  • Opinions
  • Interviews
  • Guides
  • Ed Fringe

Fight Night- Unicorn Theatre

April 26, 2015 by Verity Healey Leave a Comment

Review of: Fight Night
Price:
£10/ £16 some multi buy offers, check website

Reviewed by: Verity Healey
Rating:
4
On April 26, 2015
Last modified:April 26, 2015

Summary:

unique for kids' theatre, timely programming by the Unicorn

More Details

There are no political parties, and there is a policy paralysis: this is a mocked up election Ontroerend Goed style. The Belgian Company have put the mechanics and psychologies of voting at the core of their production Fight Night with the microscope firmly on the assumptions and perceptions made by voters-  you might well wonder, walking away from this, what May 7th is for.

Screen Shot 2015-04-26 at 12.35.42

Defying our theatrical expectations, we are presented with 5 protagonists on a bare boxing ring  complete with a drop down microphone, who batter us soapbox style with their soundbites- using a different set of criteria every time and compered by suave front man Angelo Tijssens, the audience are asked to vote for the candidate they like in each round.

‘With word and deed we insert ourselves into the human world’ wrote Hannah Arendt. This is an adequate thru line of what Fight Night is all about- not the words and deeds of the candidates though but the words and more so, the deeds of the audience. They are the real protagonists.  Round 1 asks its young 14+ audience to vote on look alone. Then the candidates pitch to those in the demographic they think will vote for them. The stakes get raised as candidates are kicked out, either by others joining in a coalition beyond the voters’ control or through their ‘moral’ but confused outrage. Those with the largest support are not always necessarily the winners, those in the minority complain they have no voice. An underdog who lost in the first round suddenly becomes everyone’s favourite- we realise pretty soon, that we don’t have any power at all and that, in the audience, the majority don’t trust the majority (Oh England moaned Angelo).  Eventually, there is a chance for audience members to opt out. But once you kick yourself out of the voting system you don’t have a voice- even if you are the majority.

Fight Night asks you to consider how an audience/ voters will manipulate and be manipulated. It challenges our perceptions about what we base our choices on. Do we really care about what kind of clothes some one wears? Well, perhaps we should but for the right reasons- for, a little bit like the Tate’s relationship with BP, it is no good having a politician campaigning for workers’ rights if they can’t admit they are wearing clothes that have come out sweatshops somewhere in China. So the show is also about honesty. It’s also about courage and our tribal feelings. When called to make a stand against the system not many of us moved until provoked a second time. Now this could have been what a colleague termed an ‘I am Spartacus’ moment or, it could have been a compulsive show of support and solidarity. You decide, for the production offers no answers.

We also see how emotions are tied to ideologies and genders.. the women candidates are gender acquiescent and take on the negotiating roles in hypothetical situations- we might be obliged to ask ‘who speaks, and why? and from where?’ The men conform to stereotypical differences- the metrosexual, the hunter and the ascetic. The women though, suffer no such cultural mythological dissimilarities.

But Fight Night’s uniqueness here comes from being in a children’s theatre. It is timely programming by the Unicorn, it is mature challenging stuff for 14 year olds and challenging for the production- we are not exactly dealing with a mass of people who have political allegiances already or have the right to vote, they are not the choir who ‘deserve to be sung to’. It feels, because of this, a radical act. Because it gets our young people to ask questions about why they might vote and for whom and what this says about them. And we need theatre like this to talk politics to kids, because, looking at the statistics below, a lot of them won’t be getting it in schools…

210- 14: 8% fewer drama teachers and 4% fewer hours of drama taught

2003-13: 23% drop in numbers of Drama GCSEs taken

2008-14: 25% drop in proportion of 5-10 year olds who engaged in theatre and drama activities *

*Taking Part Survey, Warwick Commission

Fight Night continues at the Unicorn Theatre until 3rd May. There are a series of debates and talks after some performances. Check the website for more details.

Presented by Ontroerend Goed, The Border Project, Theatre Royal Plymouth, Richard Jordan Productions and Vooruit in association with Adelaide Festival of the Arts

Directed by Alexander Devriendt

Written by Alexander Devriendt and the cast

cast

Angelo Tijssens, Charlotte De Bruyne, Gilles De Schryver, Maria Dafneros, Michai Geyzen, Roman Vaculik and Suzanne Grotenhuis.

further reading: a good piece by Ivo Moseley on local democracy

Localism: as if people mattered

Verity Healey

Author: Verity Healey

I write about theatre, I write short stories/ poetry www.verityhealey.blogspot.com, I also sometimes make films.

Filed Under: Review Tagged With: Alexander Devriendt, Fight Night, Ontroerend Goed, Unicorn Theatre

Join the discussion Cancel reply

NEWS / Living Record Festival of digital arts announces programme

Living Record Festival is a month-long Digital Arts Festival curating and presenting over 40 original pieces from a range of [Read More]

INTERVIEW / Open Bar on A ChristMESS CAROL

Tell us about Open Bar Theatre and also how you came about and how the name came about. OBT: Open Bar [Read More]

NEWS / Ayomide Adegun awarded The Luke Westlake Scholarship 2020

22 year old South Londoner Ayomide Adegun is currently in his 2nd year of the BA Acting course at Royal [Read More]

NEWS / Late Night Staring at High Res Pixels announced

A new play repurposed for online viewing from the creative team behind Scrounger, and the first of the Finborough Theatre’s [Read More]

NEWS / Crimes Against Christmas becomes an audio advent calendar

Typically at this time of year theatre company New Old Friends would have just finished an Autumn tour and be [Read More]

Top Posts & Pages

  • 10 Tips to Help You Prepare for Your Reality TV Auditions
  • 5 Stage Elements to Consider for a Rousing Theatrical Production
  • Bull - Young Vic
  • My Children! My Africa! Tristan Bates Theatre
  • Joseph Grimaldi Clown Memorial Service
  • Writing the Perfect Press Release
  • Yasmin Paige on Actually
  • Katy Owen: LAMDA Audition (First Round)
  • Jane Eyre at the National Theatre
  • Dara - The National Theatre
  • Verity Healey

    Verity Healey
    Author

  • April 26th, 2015
  • comment iconNo Comments
  • Facebook7TweetLinkedInEmail

    Newsletter

    Enjoyed what you've read? Get even more great content directly to your inbox - Completely Free

    About Theatre Bubble

    Theatre Bubble is the news, review and blogging site created by Blue Pie Media and run by a dedicated team of outstanding editors and writers: we're always looking for new contributors - to find out more click here.

    Contact Us

    News: news@theatrebubble.com
    Reviews: reviews@theatrebubble.com
    Website: webmaster@theatrebubble.com

    Privacy Policy

    Copyright © 2021 · Blue Pie Media

    Share this ArticleLike this article? Email it to a friend!

    Email sent!