There’s something hard-hitting, something brutal and uncomfortable about Lars Norén’s theatre. And yet one still feels better after it. In [Read More]
SHOW at the Lyric Hammersmith
As I was watching SHOW, a new work by Hofesh Shechter, I had two thoughts that kept swirling around in [Read More]
Little Eyolf at the Print Room, Coronet
If a play makes you feel grief with every fibre of your being, and touches the most vulnerable, hidden part [Read More]
The Soul of Wittgenstein at the Omnibus Theatre
Mix together a cocky erudite, a Cockney navy, and a generous amount of philosophical and medical terminology. Spread over a [Read More]
The Open House at the Print Room, Coronet
Quite unlike the previous shows I saw at the Print Room, for The Open House the stage is furnished with [Read More]
Vault Festival 2018: Monster
I wouldn’t normally put Mike Tyson and Elizabethan English together, but Joe Sellman-Leava’s Monster leaves me convinced that they’re a [Read More]