Having seen the expressive power of hands in Thomas Monckton’s Only Bones earlier this week, it feels appropriate for our final review [Read More]
Vault Fest 2017: Hip
Hip isn’t an easy show to categorise. Described as “semi-autobiographical” and “extra-live”, it might be said to closest resemble how a biography [Read More]
Mime Fest: Only Bones at the Soho Theatre
Last Summer, I gave four stars to James Thierrée’s The Toad Knew at the Edinburgh International Festival, for pioneering “a physical style unlike [Read More]
Mime Fest: Nothing To Say at Jackson’s Lane
Leandre Ribera, the creator and performer of Nothing To Say, is quoted in the programme as saying “The clown’s role is to [Read More]
Us/Them at the National Theatre
The plucky Dorfman theatre continues to best its big brother next door with the latest in its limited-run season – [Read More]
Scratchworks Theatre Company
Scratchworks Theatre Company are the four-strong physical theatre ensemble behind Nel – a personal highlight from the 2016 Edinburgh Fringe, which combined skillful [Read More]