Fusing dance and music, monologues and dialogues, Bound speaks of dreams crushed by cruelty and of de-humanising circumstances that all [Read More]
Shit-faced Shakespeare: Much Ado About Nothing at the Leicester Square Theatre
Shit-faced Shakespeare is the tangible proof that Shakespeare can be enjoyed irresponsibly. The principle is simple: a traditional play by [Read More]
It’s Not Yet Midnight… at the Roundhouse
What does contemporary circus have to offer to our time? Should it aspire to provide genuine amazement, remind us of [Read More]
My Country; a work in progress at the National Theatre
Brexit has been a bizarre political occurrence, and a hazy one at every possible level. Not only are we still [Read More]
Maliphantworks at the Print Room, Coronet
A five-star show is one to which any of the following apply: a performance in which you wouldn’t change a [Read More]
Orbits at The Drayton Arms Theatre
Orbits is supposed to be about Galileo, Brecht, and Laughton. Before attending the show, my familiarity with the three was, in [Read More]