• Advertise
  • Request Review
  • Write for Us
  • Privacy
  • Login

Theatre Bubble

The UK Theatre Network

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Reviews
  • News
  • Features
  • Spotlight
  • Opinions
  • Interviews
  • Guides
  • Ed Fringe

It’s Not Yet Midnight… at the Roundhouse

April 12, 2017 by Anna Zanetti Leave a Comment

Review of: It’s Not Yet Midnight… at the Roundhouse
Price:
£19.50 - £32.50

Reviewed by: Anna Zanetti
Rating:
3
On April 12, 2017
Last modified:April 12, 2017

Summary:

It’s Not Yet Midnight… contains moments of memorable acrobatics, but put together in a slightly awkward and far-fetched way

More Details

What does contemporary circus have to offer to our time? Should it aspire to provide genuine amazement, remind us of the incredible possibilities of the human body, or even dare to change the world? It’s Not Yet Midnight… attempts to do all three, and while in some ways it succeeds, in others it has still room for improvement.

The one-hour show is an impressive array of acrobatic tricks, created by Compangie XY. Even half-way through the performance, when there seems to be no more body surfaces on which to balance people, or no more equipment with which to lift people up, Compagnie XY have still some aces up their sleeve: without spoiling too much, the show features human towers, head-standing, swings, boards… among other things.

It’s Not Yet Midnight… is meant to be a performance made by, and about, large numbers of people. It is truly a work of collective art, on a number of levels. XY’s acrobats work as one, big body: they stand, collapse, rise up again, jump, spin together. Almost every action is imbued with fluidity and the collaboration between the artists is virtually perceptible. As well as commendable as a value in itself, the notion of collectivism is carried further and made inherent part of the show. It acquires a poetic meaning, made explicit in a final address to the audience: in acrobatics, as in life, it is crucial to keep alive solidarity and mutual awareness, staying tuned-in to each other, and be always ready to support. Declaimed at the end of the show, the message of the performance resonated even louder, and I’m sure the audience could not but agree with the words of the XY spokesperson.

While the numerous tricks and the overall message of the show are undoubtedly remarkable, there are several questionable elements, preventing the performance from soaring up to fulfil its full potential. It’s Not Yet Midnight… gave the impression of being attempting too much, in particular when trying to incorporate different art-forms into the show. The decision to laugh before the most difficult numbers, for instance, was a puzzling one. Instead of resulting in contagious laughter among the audience, it created a sense of alienation. The same applied to a few random moments of clownery, when tools are purposelessly brought on stage, or when individuals start galloping at random. Sadly, this was not as funny as it seemed to be for Compagnie XY.

Dancing also proved a double-edge sword. On the one hand, it provided a nice stage-filler, giving the audience an additional element to watch in-between tricks, but at the same time it resulted in rather “heavy” moments, contrasting with the soaring and jumping taking place on stage. A few mo
ments of dancing off-beat would not have been a problem, had the choreographies been more challenging. And even the idea to have a member of the troupe getting every single step wrong was fun until it became pointless.

Animated by verve and energy, the show gives the impression that such a vitality is not always channelled in the most productive way. A few moments of amazing tricks glued audience to their chairs, but at times we were are left estranged, rather than engaged. In a show that prides itself on being a piece of collective art, the audience should have been taken more into account, more involved, and more intrigued. It’s Not Yet Midnight… contains moments of memorable acrobatics, but put together in a slightly awkward and far-fetched way.

 

It’s Not Yet Midnight runs Tuesday to Sunday at 19.30 at the Roundhouse, until Sunday 23rd April, closing with a 17.00 show. Tickets can be purchased online on their website.

 

Crew

Artistic collaboration Loïc Touzé, Emmanuel Dariès, Valentin Mussou, David Gubitsch
Light designer Vincent Millet
Costume designer Nadia Léon with Mélodie Barbe
Acrobatic collaboration Nordine Allal
Lindy-hop Aude Guiffes, Philippe Mencia
Production Peggy Donck, Antoine Billaud

Avatar

Author: Anna Zanetti

T: Twitter

Filed Under: Review Tagged With: Acrobatics, Circus, Compagnie XY, Roundhouse, Theatre

Join the discussion Cancel reply

Hands Face & Empty Space / Jenny Gould on swapping from live to online music & arts

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Hands face & Empty Space / Cecilia Gragnani on being a migrant artist in a pandemic

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Hands Face & Empty Space / Sarah Chew on life drawing and Zoom

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Hands Face & Empty Space / Emily Beecher on being a reluctant producer and unproducer

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Hands Face & Empty Space / Alison Ford on maternity, redundancy and doing what’s right

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Top Posts & Pages

  • 10 Tips to Help You Prepare for Your Reality TV Auditions
  • Sarah Chew on life drawing and Zoom
  • Peter Moreton talks about growing the grass roots
  • Boudica at Shakespeare's Globe
  • How to Applying for Arts Grants and Funding
  • The Bacchae - National Student Drama Festival 2015
  • Katy Owen: Auditioning for Oxford School of Drama
  • Cecilia Gragnani on being a migrant artist in a pandemic
  • Alison Ford on maternity, redundancy and doing what's right
  • Janet Moran on A Holy Show
  • Avatar

    Anna Zanetti
    Author

  • April 12th, 2017
  • comment iconNo Comments
  • FacebookTweetLinkedInEmail

    Newsletter

    Enjoyed what you've read? Get even more great content directly to your inbox - Completely Free

    About Theatre Bubble

    Theatre Bubble is the news, review and blogging site created by Blue Pie Media and run by a dedicated team of outstanding editors and writers: we're always looking for new contributors - to find out more click here.

    Contact Us

    News: news@theatrebubble.com
    Reviews: reviews@theatrebubble.com
    Website: webmaster@theatrebubble.com

    Privacy Policy

    Copyright © 2021 · Blue Pie Media

    Share this ArticleLike this article? Email it to a friend!

    Email sent!