Every time anybody puts on a play, there has to be some kind of reason for putting on that particular [Read More]
Ed Fringe 2016: The Hours Before We Wake at Underbelly Cowgate
The Hours Before We Wake, the first show from newly formed company Tremolo Theatre, is the type of show founded on [Read More]
Ed Fringe 2016: Only Bones at Summerhall
Having already reviewed Thomas Monckton’s other project The Pianist, seeing Only Bones provided an exciting and startling contrast to the [Read More]
Ed Fringe 2016: The Raunch at Underbelly Circus Hub
The premise for this show at first sounds promising – a conglomeration of cabaret and circus acts, selling itself as [Read More]
The Collector at The Vaults Theatre
Coming out of The Collector, having spent two and a half hours underground, I felt strangely off-kilter. I was uncomfortable, [Read More]
Ed Fringe 2016: Dracula at C Too
Breath—being less audible than speech, less visible than movement—is all too easy for performers to forget about. And that, in this no-words [Read More]