• Advertise
  • Request Review
  • Write for Us
  • Privacy
  • Login

Theatre Bubble

The UK Theatre Network

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Reviews
  • News
  • Features
  • Spotlight
  • Opinions
  • Interviews
  • Guides
  • Ed Fringe

iAM 4.0 at the Arcola Theatre (Touring)

July 7, 2017 by Anuli Changa Leave a Comment

Review of: iAM 4.0 across London Venues
Price:
£6-£9

Reviewed by: Anuli Changa
Rating:
4
On July 7, 2017
Last modified:July 7, 2017

Summary:

An aptly timed piece of participatory theatre that is family friendly and will take you on an interesting adventure that is individual to each one us. Do you want an iAM? A living piece of subservient technology? SPID Theatre never ceases to question the world around us.

More Details

“A person in a labcoat will come and collect you”

Mysterious and eye opening from beginning to end. iAM 4.0 is an adventure into the world of technology that is surprisingly close to our version of reality. The audience is invited to take part in a trial of the new ‘iAMs’. Grown from human tissue but without our higher cognitive function, trained to take audience instruction and you get to test one.

Beginning with a curious morality question, varying with different audience members, your answer places you in a team with which you work together to instruct your iAM.  So, are you empathetic? creative? rationale? And how does that reflect on how you instruct your iAM?

iAM 4.0  was an experience with a moments of  amusement and  moral questioning, how far we would all go to have the next best tech?  iAM 4.0 was a triumph of participatory theatre. For children,  iAM 4.0  is like a game winning points against the other teams, dressing them, naming them. But for the adults a discernibly more psychological experience was had, deciding whether the hour long experiment is more amusing or disturbing. Impressively devised so that we all question how we use this new tech that is essentially human.

Knowing that the iAMs are actors begins to fade away and it becomes difficult to discern reality from the theatrical  and the iAMs from the humans. How far would you go with your iAM? Would you allow them to get ‘hurt’ for you?

A fascinating piece of theatre that shouts at you to sit up and listen, be aware of the direction our technological lives are heading in and just how much we depend on tech in our everyday lives.

As the different teams compete in exercises and win points we all begin to question whose in charge? We were all following instructions to control our iAMs, but the obvious dependence upon them to ‘win’ the given  game reminds us all of the control our technology has over us.

There is an underlying suggestion technology echoing slavery and a system that controls both the slaves (technology) and the owners (us). This suggests that in the way that slavery was a controlling part of everyday life in the past, human beings are becoming slaves to technology and moving to towards creating technological slaves in our own image. A slightly ominous but apt undertone to the games and laughter of the show.

Co- creators Helen Thompson and Mel Cook have succeeded yet again in creating something worth talking about. iAM 4.0 is a unique experience with impressive performances by all actors involved, both the iAMs and the professors leading the ‘trial’.

Due to its success, iAM 4.0 is touring and can be see next at the Southwark Playhouse:

iAm 4.0

Most notably, a charity performance in aid of Grenfell victims and families will take place on 9th July at Grenfell neighbours’ The Playground Theatre, Unit 8, Latimer Road, W10 6RQ

I AM 4.0 can be seen until 26th August 2017

Anuli Changa

Author: Anuli Changa

T: Twitter F: Facebook

Filed Under: Review Tagged With: Arcola Theatre, family, London, Participatory theatre, SPID, technology, Theatre

Join the discussion Cancel reply

Hands Face & Empty Space / Sarah Chew on life drawing and Zoom

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Hands Face & Empty Space / Emily Beecher on being a reluctant producer and unproducer

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Hands Face & Empty Space / Alison Ford on maternity, redundancy and doing what’s right

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

Hands Face & Empty Space / Peter Moreton talks about growing the grass roots

On the 17th March, it will be exactly one year since UK theatre came to an overnight standstill. Every day [Read More]

NEWS / Concert opportunity for musical theatre performers

A series of three concerts featuring musical theatre and drama graduates will be streamed from London’s Cadogan Hall in March. [Read More]

Top Posts & Pages

  • Alison Ford on maternity, redundancy and doing what's right
  • Emily Beecher on being a reluctant producer and unproducer
  • Sarah Chew on life drawing and Zoom
  • Peter Moreton talks about growing the grass roots
  • 10 Tips to Help You Prepare for Your Reality TV Auditions
  • Actor's Corner: Keeping Curious with Jamie Baughan
  • Yasmin Paige on Actually
  • The Life at Southwark Playhouse
  • Writing the Perfect Press Release
  • 5 Stage Elements to Consider for a Rousing Theatrical Production

Newsletter

Enjoyed what you've read? Get even more great content directly to your inbox - Completely Free

About Theatre Bubble

Theatre Bubble is the news, review and blogging site created by Blue Pie Media and run by a dedicated team of outstanding editors and writers: we're always looking for new contributors - to find out more click here.

Contact Us

News: news@theatrebubble.com
Reviews: reviews@theatrebubble.com
Website: webmaster@theatrebubble.com

Privacy Policy

Copyright © 2021 · Blue Pie Media